Posted by
davedye1
July 7, 2017
Hands up who’s heard of Robert Freson?

GOD’S LIGHT.
It’s what photographers call daylight.
It was Freson’s light source of choice.
It’s obviously less controllable than other forms of lighting but the results can be magical.
It can can give people a luminous, spiritual glow.
At a time when so many briefs are to make the people in front of the camera look real, authentic and believable, it’s odd that we generally drain the colour from the image, add filters or use artificial lighting.
Go through Robert’s images below you’ll see the images positively radiate with life.
Yet feel 100% natural.

So here’s what I know about Mr Freson:
He survived Germany’s occupation of Belgium, then, in 1947, left for Switzerland to study photography.
He then took his master’s degree in photography and and brand spanking new bride to live in the United States.
He dropped his portfolio off at mecca of fashion photography Vogue.
Only a few a few days later he received a telegram inviting him to work under Irving Penn, at that point*, probably the best photographer in the world. (*Possibly at this point too?)
He stayed learning his craft from Penn for the next 13 years.
Here are a few of the portraits he took of his boss.

Irving Penn by Robert Freson.jpg
HorstPenn
Moments+Preserved2.jpg
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In 1962, he left Penn to go it alone, but rather than still life or fashion like his mentor, he chose photojournalism.
In the sixties he was very in demand, he seems to have shot virtually anyone famous in the sixties; from Sophia Loren to Dwight D. Eisenhower to Salvador Dali, basically everyone.
He also shot ads, notably Whitbread for Colin Millward at  CDP in London and the Jamaica campaign for DDB in New York.
For the next forty years he kept two studios, one in France, one in Carnegie Hall.
In the 1970’s he moved into food photography, his book ‘The Taste of France’ became a bestseller and is still sold today.
He’s still around, in his seventieth year as a photographer.
(Although I had no joy trying to get in contact to interview him).
ADVERTISING.

'Huntley Levy's Ancestors' Jamaica, Robert Freson, DDB 2.png
'In Jamaica,' Jamaica, Robert Freson, DDB NY-01
In Port' Jamaica, Robert Freson, DDB NY-01

THE TELEGRAPH MAGAZINE.

6bc72d5d1d83c0a06e9ceda81e22ebfa.jpg

ESQUIRE.

0102-Esquire-6409.jpg
Robert Freson 'Golfers 2', Esquire.png
Robert Freson 'Sveti Stefan', Esquire.png
Robert Freson 'The Genial', Esquire.png
Robert Freson 'To Kill A', Esquire.png

THE SUNDAY TIMES.

'Ireland' Robert Freson
national-geographic-june-1978-Robert Fresonrobert-freson-2
s-l1600-3.jpg
s-l1600-2.jpg

LOOK.

Robert Freson 'Look Cover - New born'.JPG

FAMOUS FOLKS.

Robert Freson 'Sophia_Loren & Hat'.jpg
Robert Freson 'Sofia & Moum Loren'.jpg
Robert Freson 'Hitchcock Hair Cut'.jpg
Robert Freson 'Eisenhower'.jpg

ARTISTS.

Robert Freson 'Man Ray'
Robert Freson 'Andy Warhol DPS'.jpg
Robert Freson 'Joan mitchell'.jpg
Robert Freson 'Dali'.jpg
Robert Freson 'Degas'.jpg
portland-press-herald_3784059.jpg

A CAT.

Robert Freson 'Cat Stevens'.jpg

SOME FOOD.

20171-fg-panolply-22-dsc_3403__large_430_600_75_ce1f08b01dda5d56.jpg
2b2efc3299ab3419ac6086753129afef.jpg
74b71ebb64c087f38e40ab09e5f7b2d9--robert-richard-entertaining.jpg
assets_LARGE_t_243061_54389822.jpg
2013-Nov.Gareth-Jones-4-1.jpg
'National-geographic-june-1978-robert-freson
2016 Feb.15th.Shop Front Boulangerie_web.jpg

Robert today. (Or maybe yesterday…could’ve been the day before…)

10043523_H12765891-600x399.jpg

Any photographers reading: Use the comment section, tell us why exactly is daylight so special?

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Comments
Graham Pugh
11.12.24
I still talk about ‘floating on the bouillabaisse of life” and expect people to know what I’m on about. Lovely stuff as ever – thanks Dave!
dave dye
11.12.24
Thanks Graham, Yep love that line, it’s John voicing it, in fact the whole ad stands up incredibly well. Dx
Graham Pugh
11.12.24
I still talk about ‘floating on the bouillabaisse of life” and expect people to know what I’m on about. Lovely stuff as ever – thanks Dave!
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